Southern Pacific July 1951 Timetable

The front cover of this timetable (since the cover shown below is on the back) uses Southern Pacific’s familiar theme of “four wonderful ways” to “anywhere” even though the SP could offer four ways only to California. It illustrates each of the four ways with the premiere train on three of them: the Shasta Daylight, Golden State, and Sunset Limited. But for the fourth it uses the San Francisco Overland, only mentioning the “fast streamlined City of San Francisco” in fine print.

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The timetable shows the City of San Francisco taking 39-2/3 hours to get from Chicago to Oakland (with another 35 minutes for the ferry ride to San Francisco). Although the Overland was also streamlined by 1951, it required 48-1/4 hours to Oakland. The ad probably used the Overland name because the name of that “way” was the “Overland Route” just as the names of the premiere trains on the other routes were also the names of those routes. Continue reading

Court of Flowers Lunch Menu

The Golden Gate Exposition was a boon for western railroads. The Burlington, Rio Grande, and Western Pacific combined to create the Exposition Flyer to take easterners to the fair. Santa Fe started the Valley Flyer to bring people from California’s Central Valley to the fair. But the Southern Pacific probably benefitted the most as it had trains to San Francisco from the north, south, and east.

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The tower in this menu’s cover photo, which was also on yesterday’s menu, is the Tower of the Sun. At 400 feet, it was taller than any other building at the expo and as the symbol of the fair it was featured on posters, commemorative postage estamps, and postcards. The tower’s carillon bells were later installed in San Francisco’s Grace Cathedral. Continue reading

Tower of the Sun Breakfast Menu

Dated September 1939, this menu was issued near the end of the Golden Gate Exposition’s run in 1939. While the fair was supposed to remain open until December 2nd, it was losing money so it ended prematurely on October 29. Despite the losses, the exposition reopened in 1940, so the menu ended up advertising both seasons.

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The exposition’s buildings were mostly built of concrete. While some were tinted, most were painted with colored lights at night, as illustrated by the South Tower on the right of the photo on the cover of this menu. This explains why many of Southern Pacific’s menus showing the fair used night photos. Continue reading

Four Scenic Routes East

In 1926, K. C. Ingram, a former newspaper writer turned Southern Pacific employee — he eventually rose to be assistant to the president — proposed that the railroad needed a unifying theme in its advertising. He argued that SP advertising at the time was “disjointed” and a centralized theme would give the public something to identify with, like a brand logo.

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This persuaded the company to develop its “four routes” campaign in 1927. This was based on the notion that the railroad offered four different ways into and out of California so passengers could go one way and return on another for little or no extra cost. This 1937 booklet was aimed at Californians who might want to take one route to, say, Chicago and another route back. Continue reading

Oregon Outdoors in 1933

The bright, cheery half-tone colors of this booklet’s cover (which is the back cover) attracted me immediately. Unfortunately, it proved to be frustrating because I am unable to identify the artist who signed the cover “F Clark.”

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Adding to the frustration are two black-and-white drawings on the inside back cover, one of which has a signature. While the signature might be something like “W Woodward,” it is too small to be decipherable for sure. Scanning it at a much higher resolution didn’t help. Continue reading

The New Cascade Line

This booklet announces the February 1926 completion of 277 miles of new railroad between Springfield Oregon and Black Butte (near Mount Shasta) California. More than two decades in the making, the new line eliminated many sharp curves and grades on the Siskiyou Mountain route that had been completed in 1887. Even though the new line had to climb over the Cascade Mountains, it soon became Southern Pacific’s main north-south line in Oregon.

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The story began in 1866 when Congress passed the Oregon & California Railroad Land Grant Act promising 3.7 million acres of land to anyone building a railroad from Portland to San Francisco. Two companies competed to get the grant, one building down the east side of the Willamette Valley and the other further west. The east side line made it a little beyond Springfield while the west side line went to Eugene and reached the California border in 1887. Also in 1887, both lines came under the control of the Southern Pacific, which in 1901 was taken over by Edward Harriman. Continue reading

Wabash April 1950 Timetable

Issued just two months after yesterday’s timetable, this one is practically identical including all of the ads. The scheduled times for a few trains changed, mostly by just 10 or 15 minutes but in one or two cases by a half hour.

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The biggest change in the condensed timetables was in the St. Louis-Kansas City route, which was served by the City of St. Louis (which went on to the West Coast via Union Pacific), the City of Kansas City, and the overnight Midnight Special. The February timetable showed a fourth train that went between St. Louis and Moberly. This was the train that went on to Omaha and Des Moines. Continue reading

Wabash February 1950 Timetable

In 1950, the Wabash had two Diesel-powered trains a day between St.Louis and Detroit, three a day between St. Louis and Chicago, and three a day between St. Louis and Kansas City. These were mostly streamlined, although the overnight Midnight Limited between St. Louis and Kansas City was mostly heavyweight.

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While the back cover advertised that the Chicago-St. Louis Blue Bird was “the most modern train in America,” the railroad operated a number of other heavyweight trains. An overnight train went from St. Louis to Moberly, on the Kansas City line, where it split in two parts that went to Omaha and Des Moines. These were called, unimaginatively, the Omaha Limited and Des Moines Limited white their eastbound counterparts — which did not merge at Moberly and which arrived in St. Louis 45 minutes apart — were both called the St. Louis Limited even though they were two different trains. Continue reading

Missouri Pacific June 1960 Timetable

The inside front cover of this timetable has an ad for “Thrift-T Sleepers” (a limited number of regular sleeping rooms at Slumbercoach prices) on the Colorado Eagle while the back cover has an ad for real Slumbercoaches on the Texas Eagle. The previous timetable, December 1959, had ads for the same things in the same places, but they were accompanied by different illustrations.

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The only non-timetable space in this issue that is not an ad for Missouri Pacific is a list of musicals in St. Louis and Kansas City that would take place in the summer of 1960. “Meet Me in St. Louis” would play in both cities, while St. Louis would also see “The Student Prince” and “Madam Butterfly” while Kansas City would see “Annie Get Your Gun” and “West Side Story.” I wonder if this notice helped boost attendance or got anyone to ride a Missouri Pacific train to see one of the shows. Continue reading

Missouri Pacific June 1958 Timetable

Missouri Pacific issued its last 48-page timetable in June 1957, and among the losses were the two colorful pages before and after the centerfold map. The inside back cover of this edition is freight schedules and the outside back cover is an ad mainly for freight services. While the inside front cover is a colorful ad for coach tray meals (which look and sound too much like TV dinners to be truly appetizing), the timetables had lost most of their entertainment value.

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The booklet still has lots of half-page articles, but most of them are just advertising. In the 1947 timetable presented here a few days ago, about 75 percent of non-essential timetable space was dedicated to entertainment with 25 percent going to ads for Missouri Pacific services. In this one the ratio is reversed: about 75 percent ads and 25 percent entertainment — and that’s generously including as “entertainment” a self-serving article lobbying the public to rid the railroads of “temporary” taxes passed during World War II. Continue reading