Wonderland 1902

The cover art on Wonderland 1900 and Wonderland 1901 was unsigned, but the 1902 edition is signed “Alfred Lenz N.Y.” The incisions in the clay make it clear that these are sculptures, not simply trompe l’oeil paintings.

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Born in Fond du Lac, Wisconsin in 1872, Lenz apprenticed to a watchmaker and jeweler in Milwaukee at the age of 15. Deciding to make metal sculpting his life’s work, he studied in San Francisco and Europe before settling in Flushing, New York, where he specialized in lost wax castings. With lungs damaged by years of breathing acid fumes, he died of heart failure at the young age of 54. Continue reading

Wonderland 1901

Northern Pacific inaugurated the North Coast Limited on April 29, 1900. Yet it is indicative of how far the Wonderland series had strayed from being solely an advertisement for NP transportation that the new train was only mentioned once in the 1900 edition, and then on practically the last page and simply to announce when it would be introduced.

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The 1901 edition made up for this with a seven-page article describing the train and accompanied by more than a dozen photographs. But this article was preceded by a 15-page article taking an in-depth look at the history of Northern Pacific’s trademark, the monad. Accompanied by more than a dozen brightly colored illustrations of similar symbols in Asian culture, the article once again revealed Olin Wheeler’s abilities as a historian and not just a writer of advertising copy. Continue reading

Wonderland 1900

The 1900 through 1903 editions of Wonderland featured stunning three-dimensional covers portraying fantastic scenes symbolizing the West. When I first saw them, I thought they were classic examples of trompe l’oeil, meaning two-dimensional artworks that fool the eye into thinking they are really three dimensional. It turns out it was just the opposite: they actually are three-dimensional images, sculpted by an artist named Alfred Lenz and photographed for the covers. I’ll discuss Lenz and his sculptures in more detail when I present Wonderland 1902.

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Inside, the 1900 edition represented the biggest break from previous editions since Wheeler took over. While the booklet is still a collection of articles, similar the 1896-1899 versions, including the obligatory articles about Yellowstone and Alaska, more than half of this issue is on one topic: the trail of the Lewis & Clark Expedition. This meticulously researched article propelled Olin Wheeler from being a mere advertising agent to a well-respected historian. Continue reading

Wonderland ’98

Wheeler took symbolism to a new level in 1898 by portraying a topless woman framed by a cornucopia of produce and accompanied by two naked cupids, one holding a miniature steam locomotive and the other a miniature sailing ship, on the Wonderland cover. It was a strange and daring choice. Americans in the Victorian age only reluctantly accepted nudity in fine art; in commercial art it could provoke outrage.

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In 1916, for example, the U.S. Mint issued a quarter with a vaguely bare-breasted image of Liberty. Unlike the Wonderland woman, no nipples were visible, yet religious leaders were still outraged by the “obscene” and “filthy” coin. Still, Northern Pacific got away with it in 1898; at least, Olin Wheeler didn’t lose his job. Controversial or not, it isn’t really clear what a topless woman, even in symbolic robes, had to do with Northwest travel except maybe to symbolize that railroads offered people more freedom of movement. Continue reading

Wonderland ’97

If the cover of Wonderland ’96 looked modernistic, the one for Wonderland ’97 looks like the cover of a Harry Potter story or some other fantasy novel. A Montana State University master’s thesis on early Yellowstone advertising notes that most figures pictured on the covers of nineteenth-century Northern Pacific booklets and brochures were women. Of these women, some were tourists, such as the one on the 1891 booklet, but others were symbolic of “American progress and civilization,” typically wearing robes and depicted with other symbols such as sheaves of wheat.

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This one certainly fits that criteria, and the symbolism is also apparent: thanks to Northern Pacific, it was much easier to get to Yellowstone and similar scenic locations than it had been just a few years before. Continue reading

Wonderland ’96

For 1896, Olin Wheeler at once simplified the titles but almost completely broke from the travelogue format. In that year and the following ten years, the titles would simply be “Wonderland” followed by the number of the year — two digits in the 1890s and four digits in the 1900s.

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In exchange for this simplified title, readers gained a book with individual chapters providing in-depth information about various new topics. The first part of the 1896 edition seemed to focus on the Northern Pacific in ways that made it more of an ad than an informative book. This included chapters on Northern Pacific’s premiere (but as yet unnamed) train; Northern Pacific country; and Northern Pacific cities. But it also included detailed chapters on the Red River Valley; Yellowstone; hunting mountain goats; the Puget Sound; the north Pacific coast; and Alaska. Some of these chapters provided far more information about certain topics than would be found in a travelogue at the expense of leaving out a more superficial look at some parts of the Northwest. Continue reading

Sketches of Wonderland

Archive.org has two copies of Olin Wheeler’s 1894 Wonderland, titled Indianland and Wonderland. Neither have covers, so I won’t try to reproduce them here. If you want one, I recommend this one, which was scanned in color instead of black and white. While still more or less a travelogue, Wheeler has started to focus on a few interesting subjects. One chapter, for example, is about the Jesuit Indian missions of the Northwest.

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While archive.org’s 1895 edition, Sketches of Wonderland, has a cover, it is still in the squiggly lines format used for the 1893 edition. At least some flowers have been added. The travelogue portion of the booklet is only 19 pages long. This was followed by in-depth chapters on Yellowstone National Park, Rainier National Park, and Alaska. The graphics in the booklets are evolving as well, as photographs increasingly replaced woodcuts in the 1893 through 1895 editions.

6,000 Miles Through Wonderland

For 1893, Northern Pacific handed the job of writing its annual Wonderland booklet to Olin Dunbar Wheeler. Over the next fourteen years, Wheeler would transform the series from a mere travelogue to what amounted to an annual magazine with individual articles focusing on different topics each year. While one of the articles was always about Yellowstone, the other topics varied widely.

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Born in Ohio in 1852, Wheeler went to school to become a civil engineer and spent six years helping John Wesley Powell survey the Southwest. He then spent 10 years learning the advertising business in St. Paul, which led to his being placed in charge of Northern Pacific’s advertising in 1892. Continue reading

A Rambling Ramble in Wonderland

Although the Northern Pacific may have been progressive in hiring a woman to write its 1890 Wonderland booklet, it wasn’t progressive enough to use her travelogue for more than one year, as it had with John Hyde’s. Instead, for 1891, it turned to Albert B. Guptill (1854-1931). Not only was Guptill not as well-known as Elia Peattie, A Ramble in Wonderland is the first of Guptill’s only two major known works, the other being an 1894 guide to Yellowstone.

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Born in Maine, Guptill graduated from Harvard and moved to Minnesota in 1875 where he worked as a school administrator and lawyer. Later, he moved to Fargo where he continued to practice law. In 1898, he left his family in Fargo to join the rush to the Klondike where, like so many others, he failed to make it rich and instead ended up working for a law firm in Dawson City, Yukon. He eventually returned to Fargo where he died in 1931. Continue reading

Elia in Wonderland

After running John Hyde’s travelogue for five years straight with only modest changes, NP must have decided it needed something new for 1890. Hyde, who was living in Omaha, had a new neighbor named Robert Peattie, who had recently moved from Chicago to become the managing editor of the Omaha World Herald. Peattie’s wife, Elia (1862-1935), was herself a prolific writer — by the end of her life she had 25 books and thousands of articles, columns, and book reviews to her credit — so Hyde suggested to NP that they hire her to write the new Wonderland.

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In addition to paying her for travelogue, NP covered all her expenses to the Northwest and Alaska. Leaving in the fall of 1889, she would spend a day in each important city, then take an overnight train to the next city. Sometimes she would catch freight trains between cities, getting to know the train crews as well as information about the cities themselves. Continue reading