Rock Island May 1953 Timetable

According to Classic Trains magazine, the last Rock Island steam locomotive was retired in December 1953. In anticipation, the railroad introduced a new timetable cover showing Diesels pulling both passenger and freight trains.

Click image to download a 19.7-MB PDF of this 36-page timetable.

The front cover ad on this timetable gives equal billing to the Golden State and the Rocky Mountain Rocket. This seems like a mistake: the Golden State served winter vacationers to Arizona and California. The Rocky Mountain Rocket served summer vacationers to the Colorado mountains. Put the Golden State into a fall or winter timetable and let the May timetable focus on the trains to the mountains.

Rock Island February 1953 Timetable

“For complete travel satisfaction,” says the front cover of this timetable, “you can rely on the Rockets. The Golden State and the Rockets were Rock Island’s premiere trains, so since yesterday’s October 1952 timetable advertised the Golden State on its front cover, it is appropriate that this would should advertise the Rockets. The list of “Rocket Routes” includes seven Rockets and the Golden State, a faint reminder that it would have been the Golden State Rocket if Southern Pacific had not cancelled it.

Click image to download a 22.0-MB PDF of this 36-page timetable.

The Rock Island had plenty of other passenger trains, of course. Named trains included the Des Moines Limited/LaSalle Street Limited, #5 & 6 connecting Des Moines with Chicago; the Mid-Continent Special, #15 & 18 between the Twin Cities and Kansas City; the Imperial, #39 & 40 to Los Angeles; the Choctaw, #51 & 52 between Memphis and Amarilla; and the Cherokee, #111 & 112 between Memphis and Tucumcari with through cars to Los Angeles on the Imperial. Except for the Choctaw and Cherokee, these were all secondary trains to one of the Rockets or the Golden State (and the Choctaw was secondary to the Cherokee). Continue reading

Rock Island October 1952 Timetable

The front cover of this timetable promotes the “extra fare Golden State” as a “delightful” way of getting to “southern Arizona or California.” As noted here before, the Golden State was slower to California than the City of Los Angeles or Super Chief, but faster to Phoenix and other points in southern Arizona.

Click image to download a 20.7-MB PDF of this 36-page timetable.

The train, the ad goes on to say, was equipped with “‘Sleepy Hollow’ adjustable reclining seats with full-length leg rests.” As noted yesterday, the streamlined Rockets didn’t have leg rests, though it’s possible that there were leg rests on the Rocky Mountain Rocket. Continue reading

Rock Island May 1951 Timetable

In 1951, the Rock Island’s passenger trains were completely Dieselized while it still used both steam and Diesels for hauling its freight trains. At least, that’s the implication of this cover (which is the back cover), which shows multiple Diesels on the right representing the Rockets and a steam locomotive and Diesel in freight covers on the left representing “America’s Most Modern Freight Service.”

Click image to download a 21.0-MB PDF of this 36-page timetable.

In fact, this timetable shows numerous local trains, such as Horton Kansas to Fairbury Nebraska or Billings to Ponca City, Oklahoma. I suspect that many of these were still pulled by steam locomotives in 1951. Continue reading

The Golden State Limited in 1927

As previously mentioned here, in 1926 the Santa Fe introduced the Chief, which went between Chicago and Los Angeles in 63 hours, five hours faster than previous trains. The railroad also charged a $10 extra fare (about $175 in today’s money). Union Pacific and Rock Island-Southern Pacific immediately sped up their premiere Chicago-LA trains and started charging a similar extra fare.

Click image to download a 4.4-MB PDF of this 20-page booklet.

Competing with trains that took the same amount of time and charged the same fare, this booklet attempts to distinguish the Golden State Limited as the train that offered “miles of comfort instead of miles of transportation.” For example, the observation car had a writing desk equipped with “paper, pens, ink, envelopes, telephone, the latest magazines and newspapers,” all helping to make “a trainload of comfort and convenience.” Continue reading

Illinois Central September 1952 Timetable

Most pages of this timetable are nearly identical to those of yesterday’s, which was issued 17 months before. In place of the “vacation I.Q. test” was a blurb about the Panama Limited. The ad didn’t say so, but in 1952 Illinois Central made the Panama even more luxurious by adding two-unit diners that had originally been intended for the C&O Chessie.

Click image to download an 20.9-MB PDF of this 36-page timetable.

As with yesterday’s timetable, this one devotes all of page 2 to text supposedly written by IC vice president R.E. Barr. This essay brags about how courteous IC employees were and how much they respected passengers and shippers. But passengers met IC personnel throughout their journeys and could judge for themselves how courteous they were. Methinks anyone who has to devote a full-page article bragging to customers about employee courtesy doth protest too much. Continue reading

Illinois Central April 1950 Timetable

“Test your vacation I.Q.” invites the front cover of this timetable (the cover shown below being the back cover). This test, however, was somewhat deceptive.

Click image to download an 18.0-MB PDF of this 36-page timetable.

“Is Florida too warm for summer vacations?” asks the I.Q. test. “No! Florida is no warmer in summer than the northern states.” What it is, however, is far more humid, making it less desirable for vacations than “the northern states.” Continue reading

IC’s New Orleans in 1948

Here is one more Illinois Central booklet about New Orleans from the Charles Medin collection. While it is possible he helped design this booklet, the only artworks are some borders as most of the booklet is photographs. If he did work on it, it was one of the last things he did before retiring in 1949.

Click image to download a 10.6-MB PDF of this 24-page booklet.

This booklet claims that the New Orleans of 1948 was both “romantically old” and “vigorously modern.” However, it says very little about what made New Orleans modern other than the port, the Huey P. Long Bridge (which isn’t in New Orleans), and Tulane Stadium (which the booklet called Municipal Stadium). Continue reading

IC’s New Orleans in 1929

There is just enough trompe-l’œil in the cover painting on this booklet that it almost makes me dizzy to look at it. Like yesterday’s, this one is from the collection of Charles Medin, who was a staff artist for Illinois Central. However, he clearly didn’t paint the cover as it is signed A. Fitzpatrick. Although an Art Fitzpatrick worked for the auto industry after 1938, he was only 10 years old when this booklet came out and I can’t find any information about an artist by that name who was working in 1929.

Click image to download a 13.0-MB PDF of this 36-page booklet.

The booklet’s frontispiece has a drawing signed Wm. Mark Young (1881-1946). Young was born in Alton, studied art at Washington University in St. Louis, and worked as a commercial artist, first in St. Louis, then Chicago, and also for a time in Cleveland. He was known as a muralist and also illustrated books. Continue reading

The Beautiful Mississippi Gulf Coast

Just east of New Orleans is the Mississippi Gulf Coast. Like yesterday’s booklet about New Orleans, this is from the collection of Illinois Central staff artist Charles Medin. However, none of the artwork in the booklet is by him.


Click image to download a 9.9-MB PDF of this 36-page booklet. Click here to download a 3.0-MB PDF of the full cover of the booklet.

In addition to the full-color cover, the interior has four spreads of drawings in black and white with a red tint. Two of the drawings are signed “Proehl” with a tiny logo that looks a little like a P and a Y joined together. Proehl would be Paul Proehl (1887-1965), a staff artist for Palenski-Young, a Chicago firm that specialized in advertising art. Continue reading