For the 1958 portfolio of 24 Winold Reiss portraits, the Great Northern replaced Frank Linderman’s article about the Blackfeet Indians with one by Claude Schaeffer, who (unlike Linderman) was an actual anthropologist. Schaeffer apparently alerted the railway to the fact that the Indians preferred the name “Blackfoot” over “Blackfeet,” as the former term is used throughout his paper and on the 1958 portfolio envelope. The word “blackfoot” is a translation of the Indian word “siksika,” the name of one of the three Blackfoot tribes, and refers to the moccasins the Indians wore.

Celebratory drinks cheapest viagra tabs appalachianmagazine.com go on to become binge drinking and one becomes an alcoholic, caught in the maze of a vicious cycle with no exit. The process is aided with reduction in limpness causing agents such purchase generic levitra you could try these out as PDE5 enzymes, and increase in neurotransmission element, nitric oxide. * But, impotence disrupts all such systems. Fatigue Fatigue is a common symptom cialis for sale canada experience after a hectic day. The good viagra shop uk doctor and good clinics offer miraculous treatment that cures the problem completely. Click image to download a 6.6-MB PDF of this 12-page article.

Schaeffer lived with the Blackfoot Indians for seven years while employed as the director of the Museum of the Plains Indians at Browning, Montana, a town not far from Glacier Park that was served by the Great Northern Railway. In 1954 he moved to Portland where he became curator of the Oregon Historical Society and wrote several papers on Northwest Indians as well as a map showing 114 Northwest Indian tribes and languages.

The 24 prints in the Winold Reiss portfolio measure 9″x12″, though the images on the prints are just 7.25″x9.7″. Each print also has a very brief description of the painting, which are shorter versions of the descriptions that appeared in GN’s 1935 book. Even the longer versions in the book leave out a lot of detail, such as when the painting was made and when the people in the paintings were born.

Click image to download a 12.6-MB PDF of all 24 portraits.
So, it amerikabulteni.com tadalafil tablets in india is not possible for everyone to occupy their days and nights. Using the self defense study course is extremely good option to learn the cialis cheap uk skill of personalized defense. cost of viagra Homeopathic sexual wellness medicines are well known for offering revitalizing and nourishing properties. tadalafil 5mg online In most of the cases, treating the underlying condition solves the erection problem.
Most of the paintings show Indians wearing some sort of ceremonial garb, but the Blackfeet were said to especially appreciate Reiss for his willingness to paint them in everyday clothes as well. The everyday paintings were not as marketable, either to Louis Hill or the general public, but a few are included in the book. For example, Lazy Boy is shown on the eighth page of this portfolio and page 50 of the book is also shown, in everyday clothes, on page 59 of the book. The originals of most of these paintings are at the BNSF headquarters in Ft. Worth.

Like many western railroads, the Great Northern commissioned works by a number of artists. But the one that proved to be most popular with the public was Winold Reiss, a German portrait painter who came to America to paint a variety of ethnic groups. Although his Indian paintings are especially famous, unlike some painters he only painted Indians of one group: the Blackfeet who lived around Glacier National Park.

Click image to download a 1.2-MB PDF of this envelope.

Louis Hill bought dozens of Reiss’ paintings and, in 1928, GN started putting the paintings on its calendars. In 1931, GN published a portfolio of a dozen paintings, most of which were by Reiss but a few of which were by Langdon Kihn, a painter who had studied under Reiss.

Continue reading →