We’ve previously seen children’s menus that doubled as cowboy and Indian maiden masks that were used at the Grand Canyon. This mask of an Indian chief was used at a Fred Harvey restaurant on the Illinois Tollway, but I’ve seen copies of this mask marked for the Grand Canyon.

Click image to download a 1.0-MB PDF of this menu.
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The meals listed on the cowboy and Indian maiden menus had western names such as “the Dude,” “the Hopi Hoop Dancer,” and “the Indian Squaw.” The same names were used on the chief mask used at the Grand Canyon, but this one uses names like “Huckleberry Finn,” “Felix the Cat,” and “Bobo the Clown.” I’ve also seen a clown mask menu that was also apparently used at both the Grand Canyon and in Midwestern Fred Harvey restaurants.

The Navajo Indians in this menu’s cover painting are pointing to a steam train in the distance, which at once is supposed to convey the wildness of the West and how it has been tamed by the railroad. The 1911 painting was by Lon Megargee. Born in Philadelphia in 1883, Megargee moved to Arizona at the age of 13 and worked as a cowboy for several years. He then moved to Los Angeles where he learned to paint, returning to Phoenix to become known as “Arizona’s Cowboy Artist.” This must be one of his earliest paintings.

Click image to download a 866-KB PDF of this menu.
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The dinner menu inside is identical to yesterday’s down to the “8-11-1” code. That means the painting was only 40 years old when the menu was issued.

This 1948 lunch menu was used in Grand Canyon’s El Tovar Hotel, which was owned by Santa Fe and leased to Fred Harvey. The menu has seven entrées that appear on both the a la carte and table d’hôte sides, including haddock; bacon and eggs; lamb stew; pot roast; turkey a la king; Thuringer sausage; and a cold plate. Table d’hôte adds 50 cents to the price of a meal; multiply prices by eleven to get today’s dollars.

Click image to download a 1.0-MB PDF of this menu.
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The cover painting, explains the back, was by Nebraska-born artist Dale Nichols (1904-1995). Like most Santa Fe/Fred Harvey artists, he studied art at the Chicago Academy of Fine Arts, an early name for the Art Institute of Chicago. The blurb on the back of the menu describes his style as “down-to-earth superrealism,” but a couple of decades later superrealism would come to mean paintings that are practically indistinguishable from photographs. I haven’t been able to find a formal name for his painting style, so I’ll just call it Midwestern landscape style.